Video by John Francis As the UKs Telegraph put it, Weilerstein is truly a phenomenon.. But disabling some of these cookies may have an effect on your browsing experience. I had a real life. In fact, I played for Zara Nelsova when I was much younger, but I wasn't officially a student, I was around maybe 6 or 7 when I had my first lessons with her. But he had this remarkable - actually both my parents did, but especially my father because I worked more intensely with him between the time I was 9 and 15. Climate & Environment. Alisa Weilersteins new project, Fragments, comes to Zankel Hall on April 1. She will be there, playing solo. Gerardo Antonio Sanchez Torres/courtesy of the artist, Alisa Weilerstein Plays Elgar: Exploring Music With An Intense Past, Young Cellist With An Old Soul Plays Elgar, Elliott Carter, Alisa Weilerstein: Playing Bach With The Fishes, Around The Classical Internet: September 23, 2011, Cellist Alisa Weilerstein Among MacArthur Grant Winners, Alisa Weilerstein: From Bach To The Backstreets Of Buenos Aires, Band Of Gypsies: Haydn And Brahms At Spoleto Festival, Alisa Weilerstein: The Art Of Chopin's Cello. Most classical musicians regard his work as sacred in terms of really abiding by exactly what he wrote, in terms of dynamic markings and tempi and that sort of thing. It certainly made things easier to not have that fear, to not have to unload that fear or deal with it. Thats a constant discussion. Alisa Weilerstein is streaming one movement of the Bach cello suites a day, just as she has released a polished studio recording of them. At least I dont.. Fresh, moving, timeless, and some of the most beautiful writing I can think of. hide caption. She is an ardent champion of contemporary music, and has premiered and championed important new works by composers including Pascal Dusapin, Osvaldo Golijov and Matthias Pintscher. I have actually recorded the Elgar with Daniel Barenboim. 1600 Saint-Urbain Street, There is no end point. This website uses cookies to improve your experience. But Weilerstein thinks of it not as a new approach to Bach, she said, rather a celebration of the really disparate voices in contemporary classical music, with Bach as a common reference point. Because its hard enough, even when you love it. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a
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